This is the movie directed by Brian Garson at Chapman Universtiy, Dodge College, for Advanced Produciton in Fall 08. We had 3 days to shoot. The camera was ArriSr2, and we shot it on s16mm. I used 250D and 500T (vision 3). Thank you for Kodak. We had total 8 rolls of 400feet films, and 4 of them were donated. Also, personally, I had 400 feet of 100feet films, but we did not use them all. All the effect, besides the shaky camera stuff at the end), was done in camera. We developped it at Match Frame in Hollywood, and we color corrected while we transfered the film since I knew that Avid system at school is the only available CC software for this project, and I hate it. (The school does have Lustre and Scratch though.) All the normal scenes were shot on 16mm lens prime, and the dream sequense was shot on 50mm len prime. (There are only two shot shot on 9.5mm) I say, I will not do the single(couple?) lens movie again. It is way too hard, and I find there is no point to make everything harder. Especially, it did not work for the first scene. The subjects look really far away, and all kinds of composition issues come out on set. But we decided to follow the rule. I did not regret at sticking with the rule, but I also learned flexibility is needed. We shot almost entirely T4, besides the slow-motion shot. But I did like the effect on the dream sequence. For the night exterior, I had several light operators, and they hand-held the lights. It was really interesting looking and moreover beautiful. For the locker exterior dream sequence, I put HMI on Fisher 1o dolly. It was all shot in daytime, and it gave me the weired dream looking. It was almost exactly what I pictured in pre-produciton, and so I grad that. One thing really bother me is the shadow of the frame at the park scene. It was not meant to be cut like that, and I did not intend to use the shot for it. In post-produciton, things changed, and they used the shot. Originally, the guy threw only once, and it was not ment to be from that shot. That is my excuse.